クリックシネマ 好き是一部评分7.0的爱情影视作品,影片的导演是長澤雅彦,鋤田正義,本田昌広,是由田中丽奈,高桥一生,伊原刚志,井泽健主演, The first issue of Click-cinema; Rena Tanaka starring "I like you" trilogy. ●"Chクリックシネマ 好き是一部评分7.0的爱情影视作品,影片的导演是長澤雅彦,鋤田正義,本田昌広,是由田中丽奈,高桥一生,伊原刚志,井泽健主演, The first issue of Click-cinema; Rena Tanaka starring "I like you" trilogy. ●"Chashu ramen (noodles with roasted pork fillet)" Yokohama, in 1958. Naoko (Rena Tanaka) came up to Tokyo immediately after graduation from a junior high school, and was working in the ramen restaurant. One day she sheltered Ando (Kazuo Takahashi) who was escaping from the punk group, and they gradually became intimate for the sake of the fact that they were from the same province. However, a sad separation was waiting for them... ●"Wave" Enoshima, in 1981. Sumire Hatanaka (Rena Tanaka) started for her assignment as a newcommer teacher to an elementary school in the spring of the year. The first day of the summer vacation, Sumire visited the house of Kazuo Nohara (Hironari Shimamura), a transfer student from Tokyo, who was not going to open his heart easily, and there met his father Hirosi Nohara (Tsuyoshi Ito). She felt her affections drawn toward him... ●"Ten count" Tokyo, in 2000. Miho Kusano (Rena Tanaka) who goes to a vocational school was passing empty days. One night, she finds an envelope in a park, which a boxer Haruo Takahashi (Ken Izawa) dropped there. Miho brings the envelope to the gym on the next day and, seeing the sparring match of Haruo, she feels "something" in Haruo and finds herself attracted by him... 2000年11月よりインターネットで配信された「クリック・シネマ」の第1弾として注目を集めた作品。各30分、それぞれ3話のオムニバス形式で、いずれも主演は田中麗奈。時代設定もキャラクターも異なるが、ほのかな恋心を抱いたヒロインの物語ということで共通させており、麗奈ファンならずとも彼女の大人の女優としての成長を見守るかのような気分をも味わえる。 監督も、プロデューサーであり田中主演『はつ恋』の脚本家でもある長澤雅彦、カメラマンの鋤田正義、CMディレクターで『良いおっぱい、悪いおっぱい』など映画監督作品もある本田昌広と、バラエティーに富んでいる。特に鋤田監督の『波』は、往年のフランス映画の名作『ラ・ジュテ』のように、デジタルカメラで撮影された無数の写真でドラマがつづられていくのがおもしろい。(的田也寸志)君妍一如既往的不喜欢哭,要是兄妹俩同时躺在一起,夜尧不停地哭,君妍的小脚丫还会踹到哥哥的身上去,似乎在嫌弃哥哥是个小哭猫。详情
如同翻开一本都市爱情小说,クリックシネマ 好き国语正片在线观看俏皮轻快的台词像是在角力,你方唱罢我登场。想到人常说We are not on the same page,在电影里像是一个隐喻,所以全片现实与旧日始终被分别铺开在屏幕的两端,直至各自明白what gone is gone,各自远离时,镜头合到了一起。看完想起那句歌词:回忆如困兽。